Georges Braque (1882-1963)
Théière avec Raisins (1957-1963)
Oil and sand on canvas
46 x 29,2 cm
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“The painting is finished when it has erased the idea.”


- Georges Braque
Step into a groundbreaking opportunity where art meets innovation.
We are thrilled to present the legendary Georges Braque painting, not just as a physical masterpiece, but as a digital treasure forever inscribed on the Bitcoin blockchain. This iconic artwork is captured on a colossal 4MB ‘four megger’ block, ensuring its provenance and legacy are eternally preserved. In addition to owning the original painting, we are offering access to a comprehensive research paper offering deep insights into the painting’s history, along with high-definition scans of the artwork, enabling a closer look at Braque’s masterpiece. We are also excited to put on offer 144 unique fragments of the painting for sale. Each fragment represents a unique piece of Braque’s genius, securely inscribed on the blockchain. These fragments provide a direct economic benefit from the sale of the physical artwork, shared across all owners. Each fragment owner will also receive a complementary print , celebrating your unique piece of art history.
Owning a fragment is not just about securing a piece of history - it’s about joining a revolutionary movement that merges the timeless value of traditional art with the cutting-edge potential of blockchain technology. This is your chance to be part of something monumental, where the past and future converge, offering a new way to collect, invest, and participate in the cultural legacy of one of the greatest artists of all time. Own a piece of Braque, own a piece of history, and own the future of art.

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✔️ A unique high definition image file of the Fragment (.TIFF 30-500 MB size)
✔️ A complimentary unique physical ‘Giclee’ print (high quality inkjet print) signed by Milik & Waks.
✔️ The right to monetize the 1/1 Fragment with Full Commercial Rights, Irrevocable, that supports Derivatives and Sublicensing.
✔️ OCTARR’s Insiders Membership: pre-sale and allowlist in OCTARR’s future projects (check out future projects octarr.com); and VIP access to OCTARR’s insider events, global gallery showcases, festivals and meetups.
✔️ The right to share in the economic benefits from the physical artwork’s ‘auction or sale.’ The exact percentage share of the sale profits will be confirmed ahead of public sale.
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Artwork in RWA & 4MB Ordinal
✔️ The Physical Artwork – Own this iconic Braque painting, a unique and invaluable masterpiece.
✔️ Inscribed on Bitcoin Ordinals – The full painting is immutably recorded on a colossal 4MB ‘four megger’ Bitcoin block, guaranteeing eternal value, transparent and secure provenance
.✔️ Complimentary Research Paper – Gain a deeper understanding with a comprehensive research paper on the painting, exploring its history, significance, and artistic relevance.
✔️ Complimentary High-Definition Scans – Receive high-definition scans of the painting, allowing you to explore its intricate details and nuances up close.
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The power of mystery
"Théière avec Raisins" represents a deeply intriguing chapter in Georges Braque’s later years as an artist. Untitled and unsigned at the time of his death in 1963, the painting encapsulates the experimental and introspective qualities of his final works, showcasing his meticulous process of layering pigment and revisiting motifs such as the teapot and grapes. While questions remain about whether it was completed, its authenticity and provenance are well established through the Braque estate, inherited by the family of sculptor Henri Laurens, followed by his grandson Quentin Laurens.
A Masterpiece in Progress
However, Théière avec Raisins has never been fully appreciated for what it truly represents. The title was wrong, the date was incorrect, and the fact that it was permanently in Braque’s studio has never been mentioned. In light of this, we have gathered extensive evidence to prove the painting deserves a reexamination. It is part of a body of work often dismissed as "the late works," despite recognition from figures like Marc Chagall and John Richardson, who regarded them as works of genius. To ensure its rightful place in art history, we are putting Théière avec Raisins on the blockchain. This will preserve its provenance and ongoing research immutably, allowing for the work to be shared globally with high-resolution scans and supporting documentation.
Braque’s late works often defy conventional beauty
The painting likely represents years of work, reflecting Braque’s methodical approach to evolving his compositions. The textured black areas, applied with a palette knife, exemplify his pursuit of tactile depth, which he considered lost from the Impressionist style. Braque’s late works often defy conventional beauty, incorporating layered, muted tones and ambiguous forms that blur the boundaries between representation and abstraction. Art historians and contemporaries like Chagall and Alberto Giacometti praised these paintings for their “alchemy” and audacious minimalism. John Richardson compared them to late masterpieces by Cézanne, noting their ability to resolve the tension between representational and non-representational art. Braque’s layered technique, as seen in Théière avec Raisins, involved painstaking months or even years of work.
The Role of Zen Philosophy
Braque’s later works also reveal his affinity for Zen principles, particularly the idea of art as a means of transcending explanation. The levitating teapot in Théière avec Raisins serves as a poetic metaphor, evoking themes of balance, impermanence, and spiritual transformation.
Provenance and Research
Exhibited in 1975 and resold several times under the title La Théière, the painting has lacked detailed scholarship in traditional sales. By leveraging blockchain technology, the current collector aims to preserve its research and provenance, allowing further study and appreciation of its intricate layers and textures.
Legacy and Perspective
Théière avec Raisins stands as a testament to Braque’s determination to push the boundaries of art, even in his final years. Despite battling emphysema, he continued to create, famously remarking, “What use would I be, deprived of painting?” The painting encapsulates his belief that art is completed not when the artist stops, but when its meaning transcends explanation.
Preserved for life with blockchain technology
"Théière avec Raisins" represents a deeply intriguing chapter in Georges Braque’s later years as an artist. Untitled and unsigned at the time of his death in 1963, the painting encapsulates the experimental and introspective qualities of his final works, characterized by his meticulous layering of pigment and recurring motifs, such as the teapot and grapes. The textured black surfaces, crafted with a palette knife, highlight his pursuit of tactile depth and his transcendence beyond traditional representational art.
Despite its profound artistic merit, this painting was never fully appreciated for what it truly represents. Misattributions—an incorrect title, an erroneous date, and the lack of acknowledgment that it was permanently present in Braque’s studio, as photographic evidence confirms—have obscured its significance. This neglect, compounded by the broader dismissal of his late works, calls for a reexamination. Luminaries like Marc Chagall and John Richardson regarded these late pieces as works of genius, defying the tendency to undervalue them.
To honor this legacy and present compelling evidence for the painting’s rightful place in Braque’s oeuvre, we are putting Théière avec Raisins on the blockchain. This ensures its historical and artistic context is preserved and shared globally, supported by high-resolution scans and meticulous documentation. The painting’s provenance, firmly established through the Braque estate and the Laurens family, bolsters this initiative, ensuring transparency and accessibility.
The piece, with its daring minimalism and poetic ambiguity, blends representation with abstraction, reflecting Braque’s fascination with Zen principles of balance and transformation. Whether finished or still in progress, it stands as a testament to Braque’s belief that art transcends explanation, embodying the enduring spirit of an artist who redefined artistic boundaries in his later years.
Short Summary
"Théière avec Raisins" offers a captivating glimpse into Georges Braque’s later years as an artist. Untitled and unsigned at his death in 1963, the painting reflects his experimental and introspective approach, marked by layered pigments, recurring motifs like the teapot and grapes, and textured black surfaces applied with a palette knife. These elements underscore his exploration of tactile depth and the fusion of representation with abstraction. Despite its artistic significance, the painting has not been researched. It has carried an incomplete title and date, ignoring the lengthy duration of its gestation and creation, and its prominent and ongoing presence in Braque’s studio. This neglect, along with the general under-appreciation of his late works, calls for re-examination. Great artists like Marc Chagall and Albert Giacometti recognized these late works as genius, challenging their undervaluation. To preserve its rightful place in art history, we are inscribing "Théière avec Raisins"  on the Bitcoin blockchain, ensuring that its story, authenticity and provenance are immutably shared globally.This work may remain something of a mystery - as Braque said "the only valid thing in art is that which cannot be explained”.
Technical Details
Artwork Information
Artist
Georges Braque
Title
Théière avec Raisins
Dated
1957-1963
Object name
Painting
Technique
Oil and Sand
Material
Canvas
Dimensions
46 x 29.2 cm
Bitcoin Ordinals
Inscription id
ecc81046ddb7a3cc7f8c0f516090ad6430d4cc6bffb7543e1cb4f45c5685b5c2i0
Sat number
368,540,685,760,567
Date
Februari 22 2025
Provenance
Galerie Louise Leiris [Daniel-Henry Kahnweiler], Paris.
Sala Gaspar, Barcelona.

Private collection, Germany in 1975; sale, Christie's, London, 5 February 2009, Lot 474.

Private collection, Switzerland; sale, Christie's, Paris, 24 October 2014, Lot 154.

Private collection, United States; sale, Christie's, New York, 12 November 2018, Lot 325.

Acquired Christie’s March 8, 2024 Lot 157.
Exhibition
Barcelona, Sala Gaspar, Georges Braque, 19 pinturas de 1919-1962, January 1975, no. 18 (illustrated). Mr Quentin Laurens has confirmed that this painting (photo no. 1525) will be included in his forthcoming supplement to the Braque catalogue de l’oeuvre.